Poems by James Schevill
by James Schevill
The Mountain of the Gods
If the poet's vocation
As Holderlin says,
is to ascend
"the mountain of the Gods,"
how do I find this special mountain in the United States?
not an active destination,
but a myth.
In this pragmatic, violent countryWriters and Artists Talking about Evil in the Blind Lemon
I struggle with other poets
learning how to ascend a myth.
The way Bush
talks about evil,
it's a tomato
you can put in
Tomorrow it will be
perfect to eat.
Yeah, you can't make
evil a thing, you can't
count it or give it
a number. You've got to
paint it as an abstraction.
How can you paint it?
Like Goya and Bosch,
That's the only way...
But representational's dead
You've got to slash and burn with
real action painting...
You're entering the wilderness of nothing!
What if evil is
forever nothing inside,
mixing and maiming,
hot and cold running water,
the simple combinations
but mainly invisible
to all bureaucrats,
creating the most real separations.
(6)Taking John Berryman's Henry for a Walk on a Cliff-Face in Northern California
We must beware
trying to make evil supreme
it attracts a bigger public.
How do we show
it remains only evil?
Let's take a test-walk along the cliff, Henry
We're high above a spectacular view of the ocean
Wildflowers blow freely in the wind.
We're walking on the edge, Henry.
Relax, free your mind from jumping thoughts!
Oblivion here is only a human word;
rocks of this shifting sea and shore
speak a different language stroked
and lashed by the tide. Their sound is a susurrus only of change, Henry,
rock and tidal rhythms so slow
you can't count them, you just listen and wait forever
Hoping the agony rhythms of your poetry will find a natural peace.
In the morning, Henry, in this dream world birds
dance for you, flutter nervously
in and out of the feeders, finches,
grosbeaks, robins, even a hummingbird,
skittering, scattering, more nervous
than you, Henry, they can't rest a minute,
they delight the eyes and bring rest,
up, down, in, out, off, flying!
Rocks and birds, Henry, from stationary solitude to flying frenzy,Spring Leaves at Night
for your suicidal soul, your 1960s angst,
Your flight into the hazy alcoholic world of guilt.
May your depression vanish in the surf
crashing on the rocks below. May you discover
the hidden unity of all natural forms
clashing for dominance in this summer's wonder.
Live on, Henry, here you live in a natural trance.
A leaf always turns its upper surface
to the sky, so that it may receive
the dew at night, wrote Leonardo in
As dark lowers, I try to perceive
invisible grace, as spring leaves
dance wind-blown, turn to the sky.
Perhaps Leonardo meant,A Poet Meditates on Politics
We turn, we turn to reach the right time,
we turn to reach the dancing place.
"Politics is too practical and dirty.
It can never burn with poetry.
At the root of political power lies
Always the practical force of obscenity,
And obscenity has no part in poetry."
So a political friend argues with passion.
I must divorce poetry from politics,
Escape the slick art of compromising deals
Shining in my eyes like a polished sink.
Retreating into the safe pasture of private
I hear the confidential voice of President
Mouthing the functions of his
"Whoever, I want his pecker to be in my
Must poetry give up a pocket full of
Ignore obscene instructions, change them
Sentimental words, arcane private
Johnson scorned the Organization of
Saying, "It couldn't pour piss out of a
If instructions were written on the
Can poetry catch the vindictive, humorousLiving in Suspect Terrain
Tone of American tragedy? Can I read
Deeply again power's putrid
Discover in the politician's secret acts
The brilliant cosmic hooks of profane
A hell of a big country,
As Charles Olson observed.
Geography stifles us,
I live in suspect terrain,
meaning no one knows the
shifting land on which I live,
no one knows where it comes from.
Geologists only know this changing
land comes from an unknown elsewhere.
Elsewhere in Berkeley, having felt many jolts,
I do not think of it as earthquake country.
At night, though, staring at the moving sky,
evening star soaring near the moon,
I feel land slowly moving beneath me;
I yearn for the art of conquering movement
which means to me the language of poetry.
Living on the Pacific Plate in suspect terrain,
my body floats like an island in time,
an animal trough in explosive territory,
yet the excitement of superhuman force
grinding deep in the earth's split plates
reminds me of the voice's natural flowMy Memorial Service
searching after nightfall for the great dawn rhythms
while living in the danger of suspect terrain.
No one will sing a Mass for me.
No one will sing a Kaddish for the dead.
During the long days of my death
Nothing will be sung, nothing said.
But perhaps on such a dying day
If the weather is lovely, mild, and green,
Mathilde, my wife, will go for a walk
To Montmartre with her friend, Pauline.
She will come to decorate my grave
With the special wreath of immortality,
And whisper with a sigh, 'Poor man!'
And wipe a momentary tear from her eye.
By then it's a shame that I'll be living
Too high off the earth on my immortal seat;
I won't be able to reach down and find
A foot-rest for my darling's tired feet.
Oh my sweet, fat child, please know that you
Won't have to walk all the way home that day.
At the glittering barrier gate separating us
A coach will be ready to ease your way.
Rock Angels of the Fireman's Crusade
As early trains clacked,
clattered through the
desert in the old west,
firemen's sooty faces
saw through coal-black eyes
a tiny tree struggling out of rock.
Passing word down the line,
every fireman on daily trains
began to throw a bucket of water
on the green struggle,
shouting, 'Come on, angel,
sprout your tree wings!'
Flourishing in the firemen's crusade,
the tree began a symbiotic clash,
challenging its rock prison
to enduring, fatal marriage.
With triumphant shouts, the firemen Selfwolves
built a fence around rock and tree
honoring desert marriages,
every thunderstorm revealing
difficult rock angels of endurance.
Sitting under a wind-blown palm tree in Tucson
in hot sun by the empty hotel pool'
still recovering from severe bronchitis'
I read Mark Halliday's new book of poems,
Selfwolf, and wonder if w are all partly selfwolves
dreaming of triumph over our animal natures'�
Mark's book is published by the University of Chicago Press,
and my uncle, Ferdinand Schevill, a Renaissance Historian,
was a founding professor at the university,
who preferred teaching undergraduates only
because they were the most susceptible to learning.
As he taught the mysterious stretch of European history,
he liked to challenge students by pouncing on the word,
progress, with glee of a comic selfwolf.
'You believe in the progress of European history?'
he pounced, nearsighted eyes twinkling behind thick glasses.
'Progress is like a dog forever worrying a bone.
Although the dream of progress grows fervently in Europe,
the process of war continues with grinding repetition
although the dream of progress never stops,
and man awakes from his dream to worry the bone again,
howling like a wolf in the lost pages of history.'
On the lobby telephone, a woman says loudly, Jazz-Drift
'Happy Valentine's Day! I love you.
We're leaving for Mexico tomorrow.'
and I sit here, far away from my California home,
reading Mark's book and wondering if we are all
partial selfwolves seeking love's communion with strangers,
traveling incessantly in our self-centered disguises
on the edge of nationalistic wars that always threaten,
and howling with hope inside our search for unity.
Jazz-Drift, beat of night
blues riding on the black voice,
floating chips of tone grating blood,
syncopated, eager beat of jumping beans,
trumpets, saxophones flaring,
exploding high, pounding through separations:
What did I do
to be so black and blue?
My black woman's face shines like the sun.
Lipstick and powder sure can't help he none.
When asked what makes a blues singer,
Henry Townsend laughed and said, 'Trouble,
that's right. That's the one word solution. Trouble.'
You've got to rhyme it up a little,
get words short and close in sound
like 'ground' and 'down,' 'town' and 'now,'
let 'em flow through your ear
till you get a swinging, tight sound;
when your voice aches like the words
then you got yourself the blues!
If you've got a tight, aching
three or four lines,
you've got the right resistance,
cool, unwavering repetition:
Times is so tough, can't even get a dime, Looking at Old Tombstones in a New England Graveyard
Yes, times is so tough, can't even get a dime.
Times don't get better, I'm going to lose my mind.
-Descartes had a epitaph from Horace inscribed on his grave:
'Who has hidden himself well has lived well.'
To hide yourself well.
In the grave. Beneath winter.
Is it the same as hiding in life?
To conquer death
Through metaphysical miracles Madness
'I think therefore I am.'
How long have I been thinking?
How long have you been
Hiding yourself so well?
I drop a key into your well
And hear it echo eternally
In your hidden depths.
Are you living well?
Did you die well?
Your well sparkles
Blankly in the sun.
Madness, as Foucault defines it, is
Delirium, derived from lira, a furrow.
Moving out of the furrow, away from reason,
Is madness. With Pound locked in St. Elizabeth's,
Williams dreamt of his friend wearing the beast face
In Cocteau's film Beauty and the Beast.
If I find myself stuck in the furrow
How do I wear the hairy beast face?
At night I practice before the mirror.
See, beauty, are you coming to rescue me?
Beware of the electric landscape vibrating
In my mad eyes. I will kill to see.